A poem is a mechanism consisting of signs, sounds, images and symbols, which turns into an organism getting hold of you as soon as you recognize the beauty, truth and enigma's that are already in you.
Albert Hagenaars
www.alberthagenaars.nl
Sunday, December 27, 2015
FOE
I want to reach everybody with my poetry. Poetry doesn't know friend or foe.
Rendra
www.alberthagenaars.nl
Rendra
www.alberthagenaars.nl
EXPLORER
The poet shouldn't try to become well-known or popular. It's best he keeps his poems in the dark, waiting to be discovered by explorers.
Daam Noppe
www.alberthagenaars.nl
Daam Noppe
www.alberthagenaars.nl
Friday, November 27, 2015
PLANT
Poetry is like a plant which is detached from its cause and creator, a natural organism, a flower.
D.A.M. Binnendijk
www.alberthagenaars.nl
D.A.M. Binnendijk
www.alberthagenaars.nl
CALLIGRAPHY
The poet and the calligrapher find each other in the respect they demand for the word, for the letter, for the thin line of letter and character. Therefore alone the publication of a poetry collection may be called a therapeutic moment.
Jef Lambrecht
www.alberthagenaars.nl
Jef Lambrecht
www.alberthagenaars.nl
Saturday, October 31, 2015
Wednesday, October 21, 2015
READER
A poem always supposes a collaboration between poet and reader, a form of co-writing.
Toshimitsu Hasumi
www.alberthagenaars.nl
Toshimitsu Hasumi
www.alberthagenaars.nl
Sunday, September 20, 2015
STONE
An accomplished poem is like a boulder. Compact, finished, complete. I'm in love with stones. One never gets ready watching such a withdrawn stone.
Maurice Gilliams
www.alberthagenaars.nl
Maurice Gilliams
www.alberthagenaars.nl
POET (3)
For a poet lives everybody else's life
And dies everybody else's Death.
Jacob Israel de Haan
The poet and the calligrapher find each other in the respect they demand for the word, for the letter, for the thin line of letter and character. Therefore alone the publication of a poetry collection may be called a therapeutic moment.
Jef Lambrecht
The poet is the priest of the invisible.
Wallace Stevens
www.alberthagenaars.nl
And dies everybody else's Death.
Jacob Israel de Haan
The poet and the calligrapher find each other in the respect they demand for the word, for the letter, for the thin line of letter and character. Therefore alone the publication of a poetry collection may be called a therapeutic moment.
Jef Lambrecht
The poet is the priest of the invisible.
Wallace Stevens
www.alberthagenaars.nl
ANIMAL (2)
Poetry is an animal, a combination
of the softest animals on earth.
Ben Cami
Poetry is an animal
that prowls around the house,
that doesn't jump through hoops.
Harrie Rouweler
www.alberthagenaars.nl
of the softest animals on earth.
Ben Cami
Poetry is an animal
that prowls around the house,
that doesn't jump through hoops.
Harrie Rouweler
www.alberthagenaars.nl
Friday, July 3, 2015
PRIEST (3)
The poet has nothing to tell, for he is writing from a world that he doesn’t know himself. That's the magic he pulls off. The modernist poet is a magician, but definitely not a priest.
Adriaan De Roover
The poet is the priest of the invisible.
Wallace Stevens
Only three beings deserve our respect: the priest, the soldier, the poet. To know, to kill, to create.
Charles Baudelaire
Also see:
Dutch poetry in Indonesian language, translated by Siti Wahyuningsih and Albert Hagenaars
Critical reviews on modern Dutch poetry
www.alberthagenaars.nl
Tuesday, June 30, 2015
OPPOSITE
In science one tries to tell people, in such a way as to be understood by all, something that no one ever knew before. In poetry it is the opposite.
Paul Dirac
www.alberthagenaars.nl
Paul Dirac
www.alberthagenaars.nl
CHEESE
The poets have always been mysteriously silent on the matter of cheese.
Gilbert Chesterton
www.alberthagenaars.nl
Gilbert Chesterton
www.alberthagenaars.nl
Wednesday, May 27, 2015
PUBLISHER
I remember that my first manuscript was accepted by a publisher. Then I thought: ooooh, now I exist! It gave me something of myself.
Esther Jansma
www.alberthagenaars.nl
Esther Jansma
www.alberthagenaars.nl
Tuesday, May 26, 2015
Sunday, May 17, 2015
STANDARDS
The 'greatness' of literature cannot be determined solely by literary standards; though we must remember literary standards.
T.S. Eliot
www.alberthagenaars.nl
T.S. Eliot
www.alberthagenaars.nl
THEORY
A poet is not a philosopher. He doesn't construct theories and in principle he dislikes abstractions.
A.L. Sötemann
www.alberthagenaars.nl
A.L. Sötemann
www.alberthagenaars.nl
Thursday, April 23, 2015
EPITAPH
Poems are not reversible in my view. Even more than of words poems consist of sequenses of silence. That's why poems are epitaphs. They survive us with the duration of a concession.
Roger M.J. de Neef
www.alberthagenaars.nl
Roger M.J. de Neef
www.alberthagenaars.nl
Friday, April 17, 2015
INSPIRATION (2)
I decided that it was not wisdom that enabled poets to write their poetry, but a kind of instinct or inspiration, such as you find in seers and prophets who deliver all their sublime messages without knowing in the least what they mean.
Socrates
The poet is the one who inspires more than the one who gets inspired.
Paul Eluard
www.alberthagenaars.nl
Socrates
The poet is the one who inspires more than the one who gets inspired.
Paul Eluard
www.alberthagenaars.nl
WOOD
Writing poetry is producing a single leaf of all the woods on earth, producing a single ear of corn of all the grain fields on earth.
Herman van den Bergh
www.alberthagenaars.nl
Herman van den Bergh
www.alberthagenaars.nl
FICTION
Poetry is no fiction. It is an expression of our own life, of our suffering, of our memory, of our view on the future. In poetry reality is no reference. Reality is poetry's own subject.
Antonio Gamoneda
www.alberthagenaars.nl
Antonio Gamoneda
www.alberthagenaars.nl
Monday, March 30, 2015
LOSS (3)
I don't lose if I write poetry about losing.
Erik Heyman
The art of losing isn't hard to master;
so many things seem filled with the intent
to be lost that their loss is no disaster,
Elizabeth Bishop, from 'One Art'
I am quite humble
my world is not more beautiful
than a lost poem
Alain Bosquet
www.alberthagenaars.nl
Erik Heyman
The art of losing isn't hard to master;
so many things seem filled with the intent
to be lost that their loss is no disaster,
Elizabeth Bishop, from 'One Art'
I am quite humble
my world is not more beautiful
than a lost poem
Alain Bosquet
www.alberthagenaars.nl
ESTRANGEMENT
A good poem is a combination of estrangement and something that goes without saying. A good poem "works".
Hugo Brems
www.alberthagenaars.nl
Hugo Brems
www.alberthagenaars.nl
CENTURY (2)
Poets don't survive the centuries thanks to their collected works in six volumes but because of what seeps through from these books in all kinds of anthologies. Unfortunately, most of this selection process is left to people who aren't good for anything else and, on second thoughts, even can't handle this noble art.
Bart Govaert
It's true, language is a fragile instrument, which explains why so few poems, robbed from the strenghtening soundboard of a similar sense of time, are able to push through the centuries. But it can also be enormously strong; the first task for the poet is to combine the power of feeling with the word.
J. Elema
www.alberthagenaars.nl
Bart Govaert
It's true, language is a fragile instrument, which explains why so few poems, robbed from the strenghtening soundboard of a similar sense of time, are able to push through the centuries. But it can also be enormously strong; the first task for the poet is to combine the power of feeling with the word.
J. Elema
www.alberthagenaars.nl
Wednesday, March 18, 2015
NEEDLE
Poetry is the sound of a needle falling into a haystack. Those who can't hear this are deaf.
Tony Rombouts
www.alberthagenaars.nl
Tony Rombouts
www.alberthagenaars.nl
Saturday, February 28, 2015
SOUL
This proves that great lyric poetry can die, be reborn, die again, but will always remain one of the most outstanding creations of the human soul.
Eugenio Montale
www.alberthagenaars.nl
Eugenio Montale
www.alberthagenaars.nl
Friday, January 23, 2015
OBSERVATION
Observation of any kind is, like argument in prose, properly previous to the act of the poem, and, if allowed in, must be so juxtaposed, apposed, set in, that it does not, for an instant, sap the going energy of the content towards its form.
Charles Olson (From: Projective Verse, 1950)
(sent by Bert Bevers)
www.alberthagenaars.nl
Charles Olson (From: Projective Verse, 1950)
(sent by Bert Bevers)
www.alberthagenaars.nl
Wednesday, January 21, 2015
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